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How to handle a brittle photograph

Photographic paper dries with age. The gelatin holding the picture stiffens and eventually becomes brittle, so a print that was supple when it went into the cupboard will crack rather than bend when it comes out four decades later.

Most of the losses we see happened in the few seconds after somebody picked the photograph up. This page is about those seconds and nothing else.

Lifting one

Both hands, opposite edges, and let the print keep whatever shape it has already taken. Held by a single corner it bends under its own weight, and a dry print gives way along that bend.

Clean dry hands are perfectly adequate for ordinary snapshots. Cotton gloves earn their place with fragile surfaces and get in the way with anything glossy, where they cost you your grip.

Curls, and the slow way out of them

A curl wants moisture in the air rather than pressure. Between two sheets of clean plain paper, under a book, in an ordinary room, most curls let go within a fortnight.

Rolled prints are the awkward ones — the school group, the regimental panorama, the seaside strip. Never unroll one that resists. It can be relaxed in a humidified box over several days, and if that is more equipment than the kitchen table can supply, scanning it while still slightly curled is a far better outcome than three pieces on the carpet.

Four habits that cannot be undone

Sellotape, which takes the emulsion with it whenever it is removed and stains the paper brown from beneath within a decade.

Glue in any form, the self-adhesive album page very much included.

Rubber bands, which perish and fuse to the print, and paper clips, which crease and then rust.

Wiping. Whatever sits on the surface is better left there: a cloth grinds it in and removes emulsion on the way past.

When it is already in pieces

Keep the lot, down to the fragments too small to place. A paper envelope rather than a polythene bag, and write on the envelope instead of anything inside it.

Do not reassemble with anything adhesive. Arrange the pieces on the platen instead — a scan is the one form of reassembly that cannot cause further harm.

Where they should live

Cool, dark, dry and steady, in that order, and away from an outside wall. A cupboard on a landing beats the loft comfortably and beats the garage entirely.

Paper enclosures and plastic sleeves are both acceptable provided the plastic is polyester, polypropylene or polyethylene. The one to remove is PVC — the soft, faintly oily-smelling sleeving of older albums, which will bond itself to a print given enough years.

If a photograph is damaged already, none of this makes scanning it today any riskier. The risk lies in the handling beforehand, not in the scan.

Last checked 2026-08-22

The short version

  • Lift by two opposite edges, with both hands, never by a corner.
  • Never force a curl or a fold — dry paper cracks before it bends.
  • No sticky tape, no glue, no rubber bands, no paper clips.
  • Already in pieces? Keep every piece, including the unrecognisable ones.

If yours is damaged too

  • Torn photographs

    A split across the middle, a tear along an old fold, a corner come away.

  • Creases and folds

    The wallet fold, the drawer crease, and the cracked line along both.

  • Mould and foxing

    Speckling, rust-coloured spotting and the bloom of a damp cupboard.

This guide is not trying to sell you anything. If it answered the question and you never come back, it has done its job.