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The damage we mend

Eight sorts of damage, each with a page of its own, its own comparisons, and a plain account of what is recovered and what is filled in for you.

Most damaged prints have more than one thing wrong with them, and you need not work out which page yours belongs on. The mend looks at the whole photograph, and saying what is wrong only tells us what to deal with first.

If none of these quite fits, send it anyway. The default mends whatever is damaged and alters nothing else.

Looking after the print itself

Four guides about the object rather than the file: scanning it, handling it once it has gone brittle, what a conservator can do that we cannot, and where film survives.

Before you decide

How this compares with a studio, with the free websites and with doing it yourself — written to be useful even where the answer is somebody else.

Not sure which yours is?

Send it and find out for nothing. One photograph, mended, no card, and an answer within a few minutes.

Mend one photograph, free

What fills a gap in a damaged photograph is our best guess, not what was there.